A light-weight breeze blows over the motley ancient flags planted at the four corners of square measurena|stage|the theater|the podium|the rostrum} wherever the finalists of the event are close to vie.

Were it not for the dry rhythm of the drum and therefore the hot ambiance applicable for sporting events, the environment may be a group for a creative performance, to that degree as Vietnamese ancient wrestling (“dau vat”) resembles performing arts. Indeed, the foremost spectacular aspects of this very standard sport ar its picturesque and well-choreographed qualities.

 

Vietnamese ancient Wrestling
Vietnamese ancient Wrestling

Wrestlers anticipating the fights to start sit around a “carpet.” there’s no ring or rope. Using lime, villagers have drawn a sq. of around 10m on all sides. The audience sits round the sq., look with anticipation as wrestlers rub their perspiring hands on the world, all the whereas look their opponents out of the comers of their eyes.

“Toong! Toong! Toong!” The drum calls 2 competitors to the fight. Like all ancient Vietnamese sports, a drum, a gong or generally each accompany wrestling. The drum adds rhythm and stimulates the athletes. A speaker announces the competitors, WHO rise up and success to the center of the “carpet.” they’re barebacked and wear red shorts with a silk belt around their waist, red for one contestant and yellow for the opposite.

 

Vietnamese ancient Wrestling
Vietnamese ancient Wrestling

They dance with lightweight footsteps recalling those of birds. Their arms build supple and undulating movements, displaying their muscular structure. Then go the preparation stage, a spectacle packed with panache and made in color. Normally, this lasts 2 minutes whereas the drums continue beating. though the performances vary in keeping with faculties of martial arts, ail preparation dances should match the drum’s rhythm. Once the wrestlers have finished their preparation, the principal referee introduces the wrestlers by raising their arms as in boxing
Then the wrestlers shy away, facing opposite sides of stage. The drum resumes with well-spaced rolls. the 2 adversaries flip, face to face, and recognise. Then, with hands on their hips, they stare at every in defiance. because the drum offers a dry beat, they flip and step off from one another. They take more steps because the drum continues, this point at a larger and larger speed. With this, the “artistic” a part of the match ends. There are not any gifts once the fight formally begins. The wrestlers rotate. They bend their backs and, lowering their knees till they nearly crouch, extend their arms. Eyeing each other, they advance toward one another as if flying, conserving their equilibrium for the primary strike.

 

Vietnamese ancient Wrestling
Vietnamese ancient Wrestling

The beating of the drum regulates the fight. The rhythm accelerates as shortly jointly of the adversaries initiates a hold. It returns to traditional once danger has passed, as if the drum desires to let the wrestlers recover their breath and preserve their guard. once a fighter falls, the rhythm accelerates, changing into a lot of and a lot of pressing. A finishing stroke of the drum puts associate degree finish to the combat once the loser’s shoulders bit the bottom. The winner and loser rise up, applauded by a protracted sound.

 

Each fighter has his own holds, passed down by his coach, WHO is that the solely one that is aware of these secrets. The winner is that the fighter WHO turns his person along with his “face to the sky” and forces his shoulders to the touch the world. below electronic equipment laws, a match consists of 3 four-minute rounds. however ancient matches usually lasted for hours, since the principles failed to permit a draw.